The Angenieux 17-102mm was popular before the Angenieux Optimo line came out and can be used for a more vintage look.
Century has re-engineered the Canon 150-600mm F5.6 lens from the inside out and turned it into a true zoom.
The Cooke Cinetal 25-250mm T3.7 MKIII was released in 1992 and was a popular Cooke zoom for years.
The Cooke Varotal 18-100mm was released in 1988 and quickly became a popular zoom lens for many years.
The Cooke Varotal 20-100mm zoom lens was released in 1971. It can be used for a more vintage look.
The compact, lightweight Duclos Tokina Cinema 11-16mm T2.8 is sharp and it’s truly rectilinear.
The growing demand for vintage Cooke Speed Panchro lenses from the 1920s to 1960s prompted Cooke to introduce a modern redesign of the vintage classic.
The Cooke mini S4 Primes are smaller and lighter-weight lenses than their bigger brother S4 T2 lenses, but at a T2.8 speed.
The Panasonic BT-LH1710W is a 17" widescreen monitor designed for broadcast and studio applications.
The Panasonic BT-LH1760W is a 17" widescreen monitor with an 120Hz refresh rate to help eliminate motion blur.
The Sony PVMA170 17" Professional OLED Production Monitor is suitable for both field and studio use.
All of the Cooke Anamorphic lens characteristics demanded by filmmakers today with the Cooke Look® and oval bokeh.
The BM210 is a lightweight and power-efficient 21.5” broadcast monitor with an extended feature set geared towards production, editorial, and broadcast environments.
The Panasonic BT-LH2600W is a 26" true 16:9 widescreen HD monitor designed for broadcast and studio applications.
SmallHD 502 HDMI & SDI monitor brings full HD resolution to a durable lightweight on-camera monitor the size of a smartphone.
The TVlogic VFM-056W is an amazingly light and compact viewfinder monitor, utilising a 5.6" LCD panel with high resolution of 1280x800.
The TVLogic SRM-074W features a high-resolution 7” LED backlit LCD panel housed in lightweight yet durable magnesium alloy case.
The DP7-PRO OLED is an on-board or handheld monitor that has much higher color reproduction capability (”gamut”) compared to LCD monitors.
This 8mm f2.8 has been Nikon's standard Circular Fisheye lens since 1970.